
Josh Hartnett
Cooper
Ariel Donoghue
Riley
Saleka Night Shyamalan
Lady Raven
Alison Pill
Rachel
Hayley Mills
Dr. Josephine Grant
Jonathan Langdon
Jamie
Mark Bacolcol
Spencer
Marnie McPhail
Jody's Mom
Kid Cudi
The Thinker
Russ
Parker Wayne
Marcia Bennett
Cooper's Mother
Vanessa Smythe
Tour Manager
Lochlan Ray Miller
Logan
Steve Boyle
Lead SWAT Member
David D'Lancy Wilson
Sniper Leader
James Gomez
Sniper Leader
Nadine Hyatt
Sniper Leader
Michael Brown
SWAT Member Leader at Limo
Hailey Summer
The Thinker's Assistant
Olivia Barrett
Nurse
Allison Ference
Burn Victim
Harley Ruznisky
Jody
Joseph Daly
Limo Driver (Jeremiah)
Luke Charles
SWAT (Police Officer by Stage)
Mateo Arias
Opening Band Papa's Boots
Milan Deng
Wigged Dancing Girl
Ajanae Stephenson
Wigged Dancing Girl
Khiyla Aynne
Wigged Dancing Girl
Abbas Wahab
SWAT Member (Employee Area)
Bobby Manning
Scalper
Maya Lee O'Connor
Screaming Fan
Lauren Brady
Screaming Fan
Valentina Theresa
T-Shirt Snob
Erica Wilson
Hero Fainting Girl
Leeyarah Belle Barcia
Fainting Girl
Sare Thorpe
SWAT Member (Leading Area)
Mia Yaguchi-Chow
Intoxicated Woman's Friend
Dominique Brownes
Woman on the Street
Lara Zaluski
Friend of Woman on the Street
Timilehin Olusoga
Lady Raven Hero Fan
Elizabeth Victoria Wong
Main Street Pedestrian
Josh Stone
Main Street Pedestrian
Piper Hook
Limo Bystander
AJ Nadeau
Limo Bystander
Michael Cox
Limo Bystander
Jarrod W. Clegg
Limo Bystander
Jennifer Ashleigh Lloyd
Limo Bystander
Iliya Kovler
Limo Bystander
Joshua Peace
Suspicious SWAT Member




























Released
en
$30,000,000.00
$83,677,281.00
- #concert
- #philadelphia, pennsylvania
- #double life
- #escape
- #s.w.a.t.
- #pop star
- #father
- #limousine
- #celebrity
- #trap
- #serial killer
- #obsessive compulsive disorder (ocd)
- #trapped
- #mental illness
- #sting operation
- #mayhem
- #father daughter relationship
- #plot twist
Reviews
I found it to be a well-crafted film. The cinematography was commendable, with visually engaging scenes that were thoughtfully composed. M. Night Shyamalan's direction was solid, delivering a coherent narrative while showcasing his daughter's musical talent on stage, a personal touch that added depth to the project. The score complemented the film effectively, enhancing the overall atmosphere.

What a great movie. Not a single moment in this movie was boring. Nowadays it's really rare to make movie so interesting and also clean from woke propaganda. Definitely deserves high ratings from me.
Truly Dreadful. I didn't realise that the main theme of this film was explicit nepotism until I saw that Shamyamalan cast his own daughter as the female lead / singer / star in a somewhat vain attempt to launch or boost her career. But apart from that, this film just does not make sense. At all. Ever. The dude who spills the beans (no spoiler as it's in the trailer) .. I mean .. how on earth does
The first half of the movie was suprisingly good, the plot, ambiance, music and suspense. Then it totally changed into a commercial thrill movie with expected twist.
Did M. make a whole movie just to promote his daughter's music career? Maybe. Do I mind? Not so much. Makes him a better father than Jackie Chan. I take offense to the movie being hilariously bad though. I'm disappointed because I thought this was a horror movie. The tagline is misleading. It should read "A father takes his daughter to a concert, only to realize they're at the center of a dark
Over the years I'd say my personal opinion of M. Night Shyamalan‘s work, is somewhat mixed. Trap however, leaves no room for compromise. In my opinion, its simply poor. Why? Its scripting and associated characterisations, lack depth and intelligence. Okay, the idea of a setting an elaborate trap for a serial killer, in a concert, is interesting.Yet, in spite of the fact the main character
M. Night Shyamalan is a director that I've struggled to appreciate. Despite giving his movies multiple chances, I've found most of them to be lacking in some way. Even films like "Old" started strong but fell flat with their endings. I continue to try to grasp Shyamalan's vision and goals in the cinematic realm, but his tendency towards over-the-top and confusing plots often makes it challengin
What a ridiculous movie. Cooper spends the entire time behaving in the most bizarre and suspicious way possible, the FBI and every other law enforcement agency have handed operational control (including storming in and tazing a suspect) to a profiler, and he's allowed to escape multiple times by the most breathtaking incompetence on the part of LEOs. Nothing about this movie is believable, the act
I was hooked by the premise of Trap from the moment I saw the trailer. The idea of a serial killer bringing his daughter to a Taylor Swift-like concert, only for it to be a police trap to capture him, immediately grabbed my attention. I’ve always enjoyed M. Night Shyamalan’s films, particularly when he reveals the twist right from the beginning. With Josh Hartnett in the role of the serial killer,
"Trap" is an intense thriller that keeps viewers on the edge of their seats with its gripping plot and unexpected twists.

Well the best bits of this are most definitely in the trailers! "Cooper" (Josh Hartnett) takes his daughter "Riley" (Ariel Donoghue) to see a "Lady Raven" (Saleka Shyamalan) concert only to find that when they are in the arena, the feds descend on the place like a ton of bricks and thanks to some secret information obtained from the guy who sells the T-shirts, we discover that it's all an elaborat

Quite the nosedive! I actually enjoyed the opening chunk of <em>'Trap'</em>, everything at the music concert is fairly well done and kept the intrigue alive for me. However, once events leave the arena the movie absolutely bombs its way to the finish. The last portion of the film is terrible viewing, it felt like it just kept going and going and going. There are plot holes aplenty, nonsensic
Writer / director M. Night Shyamalan‘s most annoying filmmaking traits are on full display in his latest movie “Trap,” a psychological thriller that initially promises an engaging narrative but ultimately collapses into the void of ridiculous twists and turns. This is far from Shyamalan’s finest hour, and the film rambles and sputters into one of his most unbelievable and absurd revelations yet, o












