
Different hood, same old sh*t
Riko and Kane have got it all: big dreams, no respect and a fifteen grand debt. Could things get any worse? Yes! So, it’s time to man up and finally be taken serious as “Roadmen”. Once putting their heads together on various ways to make some money, they decide to rob a megastar in a nightclub toilet and hold up the local bank but things inevitably don’t go to plan!
- 5.1
- 2023
- Released
- 1h 37m

Adam Deacon
Riko
Jazzie Zonzolo
Kane
Jennifer Saunders
DI Brookes
Ed Sheeran
Crack Ed
Charlie Sloth
Self
Denise Van Outen
Nurse
Tamzin Outhwaite
Ambulance Worker
Jaime Winstone
Sarah
Babatunde Aléshé
PC Williams
Jammer
Murkleman
Megaman
Killi
Peter Serafinowicz
Krzysztof
Jeremy Corbyn
Self
Danny Sapani
Leo Demarco
Leomie Anderson
Tamara
Kobna Holdbrook-Smith
Shotti
London Hughes
Rowanda
Richie Campbell
Tyreese Demarco
Ella Vaday
Self
Linda Robson
Cockney Woman
Lee Westwick
Club Manager
Vas Blackwood
PC Ian
Barry McNicholl
PC Bill
Lethal Bizzle
Self
Kevin Bishop
Random Customer in Bank
Rosie Jones
Random Lady in Bank
Red Madrell
Tasha
Bhasker Patel
Pinky Patel
Tayo Jarrett
Clint
Suspect
Omar
Humza Arshad
Pudi Patel
Jas Steven Singh
PJ Patel
Asheq Akhtar
Panji Patel
Arnold Jorge
Dwayne
Ruxandra Porojnicu
Pola
Eddie Kadi
Traffic Attendant
Greta Hansen
Posh Girl in Bank
Laura Curnick
Neighbour Lady
Swaylee Loughnane
(Uncredited)
Hiten Patel
(Uncredited)
Archie Wick

Ekran Mustafa

Andrew Lawden

Fahad Salman

Natalie Cousteau

Paul Blackwell
Police - Armed Police

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- #aftercreditsstinger
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Reviews

Whether you like <em>'Sumotherhood'</em> or not is probably based on if you like 2011's <em>'Anuvahood'</em>. I think both films are on the same level. I remember that other flick being quite popular at my school at the time, me and my mates would even quote bits - none more so than that Fruittella line, which is amusingly called back to in this one. There are many callbacks, despite it not bei

Aside from a rather fun cameo from Ed Sheeran that reminded me that he probably lived a street life not a million miles away from the characters here when he was younger and homeless, the rest of this is really rather disappointing. As you'd expect from Adam Deacon ("Riko"), the writing is break-neck paced and littered with humour, contemporary references and there is a definite chemistry between











