
Human traffickers beware.
Levon Cade left behind a decorated military career in the black ops to live a simple life working construction. But when his boss's daughter, who is like family to him, is taken by human traffickers, his search to bring her home uncovers a world of corruption far greater than he ever could have imagined.
- 6.7
- 2025
- Released
- 1h 56m

Jason Statham
Levon Cade
Jason Flemyng
Wolo Kolisnyk
Merab Ninidze
Yuri
Maximilian Osinski
Dimi Kolisnyk
Cokey Falkow
Dougie
Michael Peña
Joe Garcia
David Harbour
Gunny Lefferty
Noemi Gonzalez
Carla Garcia
Arianna Rivas
Jenny Garcia
Isla Gie
Merry Cade
Emmett Scanlan
Viper
Eve Mauro
Artemis
Kristina Poli
Svetlana Kolisnyk
Andrej Kaminsky
Symon Kharchenko
Greg Kolpakchi
Danya Kharchenko
Piotr Witkowski
Vanko Kharchenko
Chidi Ajufo
Dutch
Ricky Champ
Nestor
Max Croes
Karp
Kenneth Collard
Mr. Boward
Richard Heap
Dr. Jordan Roth
Joanna DeLane
Joyce Lefferty
Muki Zubis
Sergeant Von Trask
David Witts
Johnny the Bartender
Wayne Gordon
Tobias Garret
Daniel Lundh
Noel
Jose Conejo Martin
Listo
Jade Coatsworth
Chantel
Alana Boden
Nina
Leah Walker
Rubi
Priyasasha Kumari
Jocelyn
Jonathan Nyati
Matt Torrance
Kya Brame
Legal Assistant
C.C. DeNeira
Grandma Garcia
Sophie-Louise Craig
Caroline Dupree
Neil Bishop
Leather Jacket Man
Tom Vaughan
Dimi's Club Ringmaster
Andrea Vasiliou
Dimi's Girl
Andrew John Nolan
Performer in Irish Pub
Seán Gannon
Performer in Irish Pub
Patrick Franklin
Performer in Irish Pub
Darren Morrissey
Performer in Irish Pub
Benjamin Gunnery
Performer in Irish Pub
Prince Marfo
Doorman (uncredited)
Judy Matheson
Elegant Diner (uncredited)
Nilesh Hindocha
Maitre D (uncredited)
Eli Sowden-Mehta
Boy (uncredited)
Benjamin Schnau
Brian (uncredited)











Released
en
$40,000,000.00
$99,068,160.00
- #based on novel or book
- #kidnapping
- #vigilante
- #missing person
- #black ops
- #construction worker
- #criminal conspiracy
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Reviews

Was really good. Jason's movies never disappoint.

Well if you just thought Jason Statham was going to make a movie about the dangers of the construction industry then the first few scenes will put you straight and give a clue that his past is altogether more violent. That is going to come in handy when the daughter of his boss is kidnapped-to-order by some people traffickers and he is, initially reluctantly, drafted into track her down. With cons
On paper, director David Ayer‘s revenge action thriller “A Working Man” should be a slam dunk for Jason Statham. Based on Chuck Dixon’s novel “Levon’s Trade,” it has all the familiar elements that not only cater to the actor’s strengths, but also to the desires of his most die hard fans. Unfortunately, very little about the film works, and it comes across as dull, predictable, and unmemorable.
"A working Man" is an accidental satire, of the US action film genre. Working class guy, who served in the military and now works for a migrant families construction company, looks to save their angelic daughter, the vision of perfection, from the evil Russian human traffickers. Everything is an exaggeration. From the notion of the working class guy, a rough diamond, a patriot, with a hear

<em>'A Working Man'</em> is imperfectly very good. I do have a couple of issues with it, but all in all I have to say that I did enjoy this to a fairly strong degree. Jason Statham seldom disappoints in an action thriller, I'm a fan of his so was always likely to get the required fun out of this. Statham is great, naturally without him the movie would be vastly less entertaining. Away from the
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/a-working-man-review/ "A Working Man is a textbook example of a movie that fails in every fundamental aspect of its own genre. Without impactful action sequences, engaging characters, or any valid attempt at innovation or narrative depth, David Ayer delivers a frustratingly generic, utterly forgettable experience. Jason Statham does his be
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/a-working-man-review/ "A Working Man is a textbook example of a movie that fails in every fundamental aspect of its own genre. Without impactful action sequences, engaging characters, or any valid attempt at innovation or narrative depth, David Ayer delivers a frustratingly generic, utterly forgettable experience. Jason Statham does his be











