In this age of increasingly untrustworthy AI, rampant fake news and unabashedly self-serving social media, it’s becoming ever more difficult for many of us to distinguish what’s “real” and what isn’t these days, almost as if we’re stuck in a frightening new Orwellian paradigm. That’s significant, not only for how we perceive existence, but even in terms of how we experience and respond to it. In fver mais...

The moustachioed “Matthias” (Albrecht Schuch) works for a business that rents him out. Not for sex, but for just about everything else and he’s good at it. From a companion at a posh concert to a gay lover to a gent who pretends to be a son so he can help his “dad” get to be president of his golf club, he can turn his hand to most things with aplomb. Except, that is, in his perfectly styled home wver mais...

The moustachioed “Matthias” (Albrecht Schuch) works for a business that rents him out. Not for sex, but for just about everything else and he’s good at it. From a companion at a posh concert to a gay lover to a gent who pretends to be a son so he can help his “dad” get to be president of his golf club, he can turn his hand to most things with aplomb. Except, that is, in his perfectly styled home wver mais...