
"Last night I dreamt I went to Manderley again..."
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
- 7.9
- 1940
- Released
- 2h 10m

Laurence Olivier
Maxim de Winter
Joan Fontaine
Mrs. de Winter
George Sanders
Jack Favell
Judith Anderson
Mrs. Danvers
Nigel Bruce
Major Giles Lacy
Reginald Denny
Frank Crawley
C. Aubrey Smith
Colonel Julyan
Gladys Cooper
Beatrice Lacy
Florence Bates
Edythe Van Hopper
Melville Cooper
Coroner
Leo G. Carroll
Dr. Baker
Leonard Carey
Ben
Lumsden Hare
Tabbs
Edward Fielding
Frith
Philip Winter
Robert
Forrester Harvey
Chalcroft
Bunny Beatty
Maid (uncredited)
Billy Bevan
Policeman (uncredited)
Egon Brecher
Hotel Desk Clerk (uncredited)
Gino Corrado
Manager of Princesse Hotel (uncredited)
Leyland Hodgson
Mullen (uncredited)
Alphonse Martell
Hotel Headwaiter (uncredited)
William H. O'Brien
Hotel Waiter (uncredited)
Ronald R. Rondell
Hotel Dining Room Guest (uncredited)
Phyllis Woodward
Little Girl (uncredited)



Released
en
$1,288,000.00
$7,592,465.00
- #based on novel or book
- #age difference
- #obsession
- #monte carlo
- #bride
- #cornwall, england
- #love
- #film noir
- #rural area
- #black and white
- #devotion
- #housekeeper
- #gothic
- #death
- #estate
- #costume party
- #mysterious death
- #gothic thriller
- #age-gap relationship
Reviews

We saw this quite recently on the big screen at Somerset House in London. One of those outdoor screenings - and the fact that it poured with rain on hundreds of us didn't matter one jot (though the hampers got quite sodden). Olivier and the eerily stupendous Judith Anderson provide the ultimate in sophisticated horror partnerships and make this by far my favourite Hitchcock film. Joan Fontaine is

**One of the greatest films of Hitchcock's career.** Alfred Hitchcock was truly a master, and there are not many directors who can present a CV so vast, so rich and so deserving of acclaim. Ironically, he did not win a single Oscar for his work as a director and even this film, which was one of the most awarded in his work, only won two Oscars (Best Film and Best Black-and-White Cinematography)

We saw this quite recently on the big screen at Somerset House in London. One of those outdoor screenings - and the fact that it poured with rain on hundreds of us didn't matter one jot (though the hampers got quite sodden). Olivier and the eerily stupendous Judith Anderson provide the ultimate in sophisticated horror partnerships and make this by far my favourite Hitchcock film. Joan Fontaine is

Do you think the dead come back and watch the living? Rebecca is directed by Alfred Hitchcock and adapted to screen play from the Daphne du Maurier novel of the same name. It stars Laurence Olvier, Joan Fontaine and Judith Anderson. Cinematography is by George Barnes and music scored by Franz Waxman. After meeting and marrying 'Maxim' de Winter (Olivier), the Second Mrs. de Winter (Fontain
Absolutely perfect Gothic Thriller that has many imitators but few of equal quality. With "Rebecca" about to hit the Broadway stage (as a musical!), I thought it was time to write my review of perhaps my favorite Hitchcock film. I recall the first time I saw this on TV almost 30 years ago on the late show, I had set my VCR to tape it, but woke up to start watching a bit of it, and stayed up all
A poor "lady's companion", so self-effacing that we are never given her name (Joan Fontaine), suddenly finds her life changed when a moody widower, Maxim de Winter (Laurence Olivier), proposes to marry her and take her to his splendid estate of Manderley. It seems like a fairy-tale turned true, but it is not. On reaching Manderley, the new Mrs. de Winter (still unnamed) finds herself out of
A good movie and interesting plot but the characters are a little bit exaggerated and the outcome is quite expectable.











