
Diana Ross is Billie Holiday. Diana Ross sings Billie Holiday. And a superstar is born.
Chronicles the rise and fall of legendary blues singer Billie Holiday, beginning with her traumatic youth. The story depicts her early attempts at a singing career and her eventual rise to stardom, as well as her difficult relationship with Louis McKay, her boyfriend and manager. Casting a shadow over even Holiday's brightest moments is the vocalist's severe drug addiction, which threatens to end both her career and her life.
- 6.9
- 1972
- Released
- 2h 24m

Diana Ross
Billie Holiday
Billy Dee Williams
Louis McKay
Richard Pryor
Piano Man
James T. Callahan
Reg Hanley
Paul Hampton
Harry
Sid Melton
Jerry
Virginia Capers
Mama Holiday
Yvonne Fair
Yvonne
Isabel Sanford
The Madame
Tracee Lyles
The Prostitute
Ned Glass
The Agent
Milton Selzer
The Doctor
Norman Bartold
The Detective #1
Clay Tanner
The Detective #2
Jester Hairston
The Butler
Bert Kramer
The Policeman
Paul Micale
The Maitre d'
Byron Kane
The Announcer
Barbara Minkus
Radio Actress
Kay Lewis
Angela DeMarco
Helen Lewis
Debbie McGee
George Wyner
The M.C.
Shirley Melline
The Policewoman
Toby Russ
The Jail Guard
Larry Duran
Hood #1
Don McGovern
Reporter #1
Charles Woolf
Reporter #3
Denise Denise
Denise
Lynn Hamilton
Aunt Ida
Victor Morosco
Vic
Robert L. Gordy
The Hawk
Harry Caesar
The Rapist
Paulene Myers
Mrs. Edson
Scatman Crothers
Big Ben
Released
en
$2,000,000.00
$19,726,490.00
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- #biography
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- #period drama
- #drug overdose
- #music history
- #lynching
- #dying young
- #black singer
- #withdrawal
- #heroin addict
- #nightclub singer
- #blues music
- #billie holiday
- #harlem, new york city
- #carnegie hall
- #rise to fame
- #wayward girl
- #death of a musician
- #music tour
- #1940s
- #somber
- #1930s
- #following one's dream
- #desperate
- #former prostitute
- #period film
- #straight jacket
- #cautionary
- #black woman
- #woman's story
- #disheartening
- #powerful
- #woman musician
- #deep south racism
- #kkk rally
Reviews

I’ve never really be an huge fan of Diana Ross’s voice, but there’s no getting away from her personable and visceral performance here as the flawed jazz musician Billie Holliday. With Motown’s Berry Gordy at the helm it was always going to lead on the music and it does that effectively too for the most part whilst giving us the basic bones of her turbulent battle with narcotics. We start in that p











