
What on Earth can hold more power than a king?
King Louis XIV's quest for immortality leads him to capture and steal a mermaid's life force, a move that is further complicated by his illegitimate daughter's discovery of the creature.
- 7.0
- 2022
- Released
- 1h 34m

Pierce Brosnan
King Louis XIV
Kaya Scodelario
Marie-Josephe D'Alember
Benjamin Walker
Yves De La Croix
William Hurt
Pere La Chaise
Julie Andrews
Narrator
Fan Bingbing
Mermaid
Pablo Schreiber
Dr. Labarthe
Ben Lloyd-Hughes
Jean-Michel Lintillac
Rachel Griffiths
Abbess
Paul Ireland
Benoit
Crystal Clarke
Magali
Kaya Blocksage
Duchesse de Fontages
Kasia Kaczmarek
Sister Constance
Tom Morton
First Musketeer
Tiffany Hofstetter
Mother
Jessica Clarke
Madam Devereaux
Virginia Bowers
Marie-Josephe's Mother
Marc de Panda
Intendant of the King
Jorja Lindsay
Ella
Diane Duquesne
Courtisane
Jean-Baptiste Sagory
Nobleman 2
Crispin Freeman
Musketeer #6

Released
en
$40,500,000.00
$2,200,000.00
- #based on novel or book
- #immortality
- #mermaid
- #period drama
- #illegitimate child
- #quest
- #17th century
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Reviews

Must have been tax return time for Pierce Brosnan as he "stars" in this daft historical fantasy about Louis XIV of France and his aspirations for immortality. Egged on by the ambitious "Labarthe" (Pablo Schreiber) he believes that he can live forever if her manages to get hold of a mermaid and - well, he pinches her life force. Snag is, though, his own daughter "Mary-Josephe" (Kaya Scodelerio) is
MORE REVIEWS @ https://www.msbreviews.com/ "The King's Daughter is everything viewers expected: a formulaic, uninteresting story filled with old-fashioned cliches and spine-chilling visual effects - not in a good way. Not a single filmmaker and respective creative team deserve to have their work stuck in a seven-year limbo until it's released, let alone due to scheduling and budget issues. H
MORE REVIEWS @ https://www.msbreviews.com/ "The King's Daughter is everything viewers expected: a formulaic, uninteresting story filled with old-fashioned cliches and spine-chilling visual effects - not in a good way. Not a single filmmaker and respective creative team deserve to have their work stuck in a seven-year limbo until it's released, let alone due to scheduling and budget issues. H











