Live and Let Die is a brilliant use of a new Bond (Roger Moore) and an iconic title song for one of the best Bonds there is.

When I first watched this opening outing for Roger Moore in the "007" role, I wasn't very impressed. Now, when I watch it though, I appreciate more the sophisticated and subtle approach that the star brought to the role. Gone is much of the chauvinism of the Connery days, replaced by a more subtle, humorous, playful style whilst still delivering a good adventure film. This time, following the deatver mais...

This 007 film aged very well. 007 follows in the footsteps of three prior agents who were assassinated. There's a lot of "jive" in this one, since this is the one where the villain is black, and he uses mostly black helpers, so the white James Bond really sticks out. And thus we get a lot more comedy here. There's a bit of a condescending attitude towards Harlem here, and too much respect for ver mais...

By my clock, this era started with Diamonds are Forever... the era of the Silly Bond. But Diamonds are Forever was a Connery Bond and it kind of sucked because of it. So... Live and Let Die is the first of the GOOD silly Bond movies. Now don't get me wrong, I'm on team Connery. Team Connery all the way... but Live and Let Die is still a GREAT 007 film despite the total change in mood and ver mais...

Roger Moore’s fun and colorful debut as 007 Agent 007 (Roger Moore) travels from Harlem to the Caribbean to Louisiana to stop a black heroin mogul (Yaphet Kotto) fortified with a multifarious organization and a lovely tarot card reader (Jane Seymour). This was Moore’s dynamic debut as Bond. He did 7 films for the franchise in 13 years from 1973-1985. The tone of “Live and Let Die” is similaver mais...