***Pedestrian horror sorta-superhero starring Vin Diesel*** An 800 year-old immortal Witch Hunter (Vin Diesel) now lives in swank New York City, still hunting malevolent witches with the help of two priests, an aged one (Michael Caine) and a novice (Elijah Wood). Rose Leslie plays a winsome witch with mettle while Ólafur Darri Ólafsson is on hand as a formidable evil warlock. I thought I’d lver mais...

You cling to your pathetic life, those closest to you betray you and those you claim to protect don't even know your name. Hmm, okies. It feels like the studio execs sat around the big table and thought here's Vin Diesel lets build a boisterous popcorn franchise setting piece around him. Plot has Diesel as the title character who here in the modern world is all that stands between humanity ver mais...

Arguably the coolest poster a movie's ever had. Vin & Co. lay the cheese on **thick** in this one. I'm talking slab of fried haloumi thick. But that's not exactly the end of the world. It's kind of like if _Constantine_ was way worse, or if _Seventh Son_ was way better. With a little 2004's _Van Helsing_ thrown in for good measure. _Final rating:★★½ - Had a lot that appealed to me, didn’t quver mais...

**The initial tableaux:** **Initial, part I**: We're in the black plague era in Europe, say 13th century. The spread of the plague is attributed to the spellcasting of evil witches. Vin Diesel's character, Kaulder, is one of the witch hunters who finds the Witch Queen. Kaulder and company put an end to the plague, but at the cost of Kaulder's wife, his only child, and most of his hunter friver mais...

> Fighting the same witch twice in the 800 years! I have seen Vin Diesel in many avatars, from the sci-fi to action, adventure and thriller, they all suits him better, but this supernatural theme seems weird. There was lots of action, so it does not feel like a fantasy film, which is merely the idea of film concept. From the director of 'Sahara', the story of an cursed with eternal life witch hver mais...

There was a time when the movie gods were treating audiences to the omnipresence of zombies. One could not swing a dead cat without running into zombie-related cinema. It was all the rage at the box office that was experiencing a certain celluloid renaissance with overloading narratives within the “zombie zone”. Sure, zombies are still the norm in pop cultural media on both the big and small screever mais...