The Curse of Frankenstein

The Curse of Frankenstein

The creature created by man and forgotten by nature!

Sinopse

Baron Victor Frankenstein has discovered life's secret and unleashed a blood-curdling chain of events resulting from his creation: a cursed creature with a horrid face — and a tendency to kill.

  • 6.8
  • 1957
  • Released
  • 1h 23m
Status

Released

Original Language

en

Budget

$270,000.00

Revenue

$8,000,000.00

Keywords
  • #experiment
  • #morgue
  • #guillotine
  • #mad scientist
  • #remake
  • #revenge
  • #murder
  • #decapitation
  • #reanimation
  • #severed head
  • #creature
  • #gothic horror
  • #severed hand
  • #told in flashback
  • #reanimated corpse
  • #brain transplant
  • #frankenstein
  • #1860s

Reviews

Wuchak
@Wuchakover 1 year ago

**_Peter Cushing as the obsessed doctor and Christopher Lee his hideous creation_** This was the first Hammer horror flick in color and its success resulted in a resurgence of the classic Universal monsters reinterpreted from the British perspective with Hammer’s renowned lush colors. Speaking of Universal, the studio threatened a lawsuit if Hammer copied any elements from their classic versio

JPV852
@JPV852about 5 years ago

Entertaining if not also flawed monster horror film that excels in large part for Peter Cushing and Robert Urquhart, with the gothic atmosphere. Dialogue is a bit lackluster but liked the change up with the classic story and fun to see Christopher Lee as the "Creature". **3.5/5**

John Chard
@John Chardabout 6 years ago

Even if we dared to omit its landmark importance; it's still a terrific movie. The Curse Of Frankenstein is out of Hammer Film Productions and based on the novel Frankenstein, by Mary Shelley. It's directed by Terence Fisher, written by Jimmy Sangster and stars Peter Cushing, Christopher Lee, Hazel Court & Robert Urquhart. Jack Asher is the cinematographer and James Bernard scores the music.

T
@talisencrwover 9 years ago

This ended up being one of my favourites, both of Hammer Films in general, and of the works of both Sir Peter Cushing and Sir Christopher Lee. It still works cinematically, three generations later, as my 13-year-old son really enjoyed it as well. Though the filmmakers were forced to use other makeup rather than that copyrighted by Universal Studios in James Whale's masterpiece, that isn't problema

Made by  Geisiel Melo  with