Anna Karina is good in this quite entertainingly daft romantic caper. She is exotic dancer "Angela", happily living with "Émile" (Jean-Claude Brialy) but there's one big snag - she wants to start a family whilst he would sooner just ride his bike. "Émile" is nothing if not considerate, though, so suggests that maybe she do the deed with his best pal "Alfred" (Jean-Paul Belmondo) and that way everyver mais...

Jean-Luc Godard's first two films (<i>À bout de souffle</i> and <i>Le petit soldat</i>) were thrillers that drew inspiration from American noir, but <i>Une femme est une femme</i> (A Woman is a Woman, 1961) shifts gears drastically to a riff on American musical comedies, with the characters occasionally singing and dancing, and the camera jumping between realistic depictions and these musical intever mais...

Jean-Luc Godard's first two films (<i>À bout de souffle</i> and <i>Le petit soldat</i>) were thrillers that drew inspiration from American noir, but <i>Une femme est une femme</i> (A Woman is a Woman, 1961) shifts gears drastically to a riff on American musical comedies, with the characters occasionally singing and dancing, and the camera jumping between realistic depictions and these musical intever mais...

Jean Luc Godard と Anna Karina のおのろけ映画って言われちゃうくらい、funnyでcute、charmingな映画。 　Godardお馴染みの引用シーンで大好きなものが１つ。Alfred de Mussetの格言劇 「戯れに恋はすまじ」の科白をAnna Karinaが。 > " 男はみんな嘘つきで、浮気で、見下げはてたものであり情感の奴隷だ。女はすべて裏切り者で、滑稽で、物見高くて性根が腐っている。人は恋愛ではいくたびとなく欺かれ、傷つけられ、不幸になる。しかし人は愛するのだ。そして自分の墓穴のふちまで来た時、こしかたを振り返り独り言を言うのだ、わたしは度々苦しんだ、時には考え違いもした、しかしわたしは愛した。" I believe that all the girls would love this movie ♡