
Loving him was easy. Trusting him was deadly.
Infatuated with the idea of becoming rich, college student Jonathan Corliss secretly dates Dorothy Carlsson to gain the approval of her wealthy father. When Dorothy tells Jonathan that she is pregnant and that her father will deny her inheritance if he finds out, Jonathan murders her, but he stages her death as a suicide. As Jonathan works his way onto Mr. Carlsson's payroll, Dorothy's twin sister, Ellen, investigates the apparent suicide.
- 5.5
- 1991
- Released
- 1h 35m

Matt Dillon
Jonathan Corliss
Sean Young
Ellen / Dorothy Carlsson
Max von Sydow
Thor Carlsson
Diane Ladd
Mrs. Corliss
James Russo
Dan Corelli
Martha Gehman
Patricia Farren
Ben Browder
Tommy Roussell
Briony Glassco
Waitress
Galaxy Craze
Susie
Joie Lee
Cathy
Jim Fyfe
Terry Dieter
Frederick Koehler
Mickey
Elżbieta Czyżewska
Landlady
Shane Rimmer
Commissioner Malley
Leslie Lyles
Mrs. Roussell
Rory Cochrane
Chico
James Bonfanti
Young Jonathan
Sarah Keller
Lecturer
Lia Chang
Shoe Saleslady
Yvette Edelhart
Screaming Lady
Lachele Carl
Reporter
Brett Barth
Dave
Kristy Graves
Rose
Billie Neal
Nurse
P. Jay Sidney
Bellman
Sam Coppola
Detective Michaelson
Lynn Frazen-Cohen
Elderly Woman
Nancy Herman
Receptionist
Joe James
Bell Boy (voice)
Released
en
$15,400,000.00
- #cupboard
- #girlfriend
- #remake
- #train
- #impostor
- #twins
- #dual role
- #neo-noir
Reviews
Jonathan (Matt Dillon) is obssessed with inheriting Thor Carlsson’s (the majestic Max von Sydow) copper empire. Why? Presumably, because as a poor child literally living on the wrong side of the tracks, he would sit in his room and stare at the endless parade of freight trains passing by, all of them bearing the Carlsson company logo. Jonathan has successfully wooed Carlsson’s daughter Dorothy

Kiss of life required to ignite this film noir re-imaging. A remake of the 1956 film of the same name, A Kiss Before Dying is directed by James Dearden and Dearden adapts the screenplay from Ira Levin's novel. It stars Sean Young, Matt Dillon, Max von Sydow, Dianne Ladd and James Russo. Music is by Howard Shore and cinematography by Mike Southon. Story has Dillon as a troubled young man who











