Of all of the collaborative efforts that Katharine Hepburn ever made, this one has to be the most bizarre. Not because it is bad - though it isn't actually very good - but because she spends much of it a boy! Upon the death of her mother, her father (Edward Gwenn) must flee his creditors and so she ("Sylvia/Sylvester") determines to accompany him, cutting her Rapunzel-like locks and donning a suitver mais...