Typical Kurasawa creative framing in the beginning of the movie. The scene of dancers shot through bead curtains swinging in time to the music was brilliant. His choice of Miki Odagiri for muse is brilliant. Her laugh is infectious. The last act stuck me as rather static. It's perhaps from cultural mores about the dead I don't understand (like the taboo of not ever sticking your chopsticks into tver mais...

I watched the English follow-up version (Living) before watching this original, and wished I had reversed my order. I liked Living much more than this original, but since both were written by the same Japanese scriptwriter, my preference might be cultural rather than due to quality issues, not to mention the scriptwriter had come up with improvements through the intervening years. The club and ver mais...

Takashi Shimura is "Watanabe", an elderly civil service lifer who is told that he has terminal stomach cancer. After years of a disciplined, rather pedestrian existence he now feels a need to emancipate himself and start to live a little. The story is told through two threads: one looks at the end of the old gent's life from his own perspective; the second takes a retrospective view from the wake ver mais...