
And Now the Screaming Starts!
The hand that crawls, kills, and lives!
In the late 18th century, two newlyweds move into the stately mansion of the Fengriffen family. The young bride is victim of terrifying visions and apparitions, threatening her very sanity. A London psychiatrist comes to her help and uncovers the terrible secret that haunts the estate.
- 5.9
- 1973
- Released
- 1h 31m

Stephanie Beacham
Catherine Fengriffen
Peter Cushing
Dr. Pope
Patrick Magee
Dr. Whittle
Herbert Lom
Henry Fengriffen
Ian Ogilvy
Charles Fengriffen
Geoffrey Whitehead
Silas / Woodsman
Guy Rolfe
Maitland
Rosalie Crutchley
Mrs. Luke
Gillian Lind
Aunt Edith
Janet Key
Bridget
Sally Harrison
Sarah
John Sharp
Henry's Friend
Norman Mitchell
Constable
Lloyd Lamble
Sir John Westcliff
Kay Adrian

David Alan Barclay

Blake Butler

Vic Chapman

Frank Forsyth
Servant
Daniel Johns
(as Daniel Jones)
Hilary Martyn
(as Hilary Martin)
Sylvester Morand

Beth Owen

Toni Sinclair

Elsa Smith

John Stamp

Larry Taylor
Bearded Drunk
Gloria Maley
(as Gloria Walker)
Drew Wood
![And Now the Screaming Starts! (1973) ORIGINAL TRAILER [HD 1080p]](https://img.youtube.com/vi/5v2Gi865mwI/hqdefault.jpg)
Released
en
- #rape
- #supernatural
- #haunted house
- #possession
- #curse
- #old house
- #ghost
- #severed hand
Reviews

Roy Ward Baker has assembled quite a decent cast for this rather daft horror film. Stephanie Beacham is "Catherine" who is to marry the squire of "Fengriffen" (Ian Ogilvy) and so moves into his manor house. Her wedding night certainly doesn't go to plan, though - she discovers that there are ghosts and they are out to enforce a curse put upon the family many years ago. Can they sort out this scour

**_Bad first half, good second half_** Catherine (Stephanie Beacham) moves to the Fengriffen manor in rural England, 1795, to marry her fiancé Charles (Ian Ogilvy) where she’s immediately fascinated by a portrait of his dead father, Henry (Herbert Lom), as well as harassed by spectral images, including that of a severed hand. Does the loner woodsman (Geoffrey Whitehead) hold the key to why the











