
When poets love, Heaven and Earth fall back to watch!
Remarkable poet Elizabeth Barrett is slowly recovering from a crippling illness with the help of her siblings, especially her youngest sister, Henrietta, but feels stifled by the domestic tyranny of her wealthy widowed father. When she meets fellow poet Robert Browning in a romantic first encounter, her heart belongs to him. However, her controlling father has no intention of allowing her out of his sight.
- 6.0
- 1934
- Released
- 1h 49m

Norma Shearer
Elizabeth Barrett
Fredric March
Robert Browning
Charles Laughton
Edward Moulton-Barrett
Maureen O'Sullivan
Henrietta Barrett
Katharine Alexander
Arabel Barrett
Ralph Forbes
Captain Surtees Cook
Ian Wolfe
Harry Bevan
Marion Clayton Anderson
Bella Hedley
Leo G. Carroll
Dr. Ford-Waterlow
Ferdinand Munier
Dr. Chambers
Una O'Connor
Wilson
Vernon Downing
Octavius Barrett
Neville Clark
Charles Barrett
Matthew Smith
George Barrett
Robert Carleton
Alfred Barrett
Allan Conrad
Henry Barrett
Peter Hobbes
Septimus Barrett
Flush
Himself
Released
en
$820,000.00
$1,258,000.00
- #london, england
- #abusive father
- #poet
- #biography
- #based on play or musical
- #family relationships
- #church
- #free will
- #overbearing father
- #pre-code
- #self confidence
- #father daughter conflict
- #overprotective father
- #domineering father
- #literary figure
- #loss of legs
- #father daughter relationship
- #hopelessly in love
- #cruel father
Reviews

I thought that there was something almost claustrophobic about this film as we are introduced to a well-off family who live in a grand villa in London’s west end. There are nine siblings, all well into adulthood, and all under the thumb of their oppressive windowed father (Charles Laughton). His red line rule is that none of them are ever to marry, which up until now has not mattered so much. When
I'm sorry, but the scenes with Norma Shearer and Fredric March simply fall flat. Shearer's "fey" acting style is contemptible at the best of times, but her overacting in every single scene simply destroys the fabric of this otherwise well written melodrama. Who saves the day? Charles Laughton of course! His is truly the only performance which shines in this movie. Uno O'Connor and a ravishing











