"The First Omen" approaches the whole franchise in much the same way as George Lucas did with his "Star Wars" prequels (1999-2005). Lucas took some ideas which had only been hinted at in the dialogue and then he simply expanded upon them. The "Omen" film which emerges here using this same method has been superbly directed by Arkasha Stevenson and it does manage to create a particularly threateningver mais...

I really don't see the point of making a prequel that retcons the original films. Hollywood does it all the time, and when you hear the creators it is always to own the fans in some way. As in: "this will anger the fans of the original" I don't understand how they think it's a good idea given that the fans are the reason the movies are worth making sequels, prequels, and reboots of. So thver mais...

Why does the modern horror community settle for such mediocrity in film making? Don't be so lazy and settle for the usual unfulfilling, stereo typical Hollywood dreck such as this. There are so many fantastic indie horror movies being made out there.

This movie was ultimately pointless. While it featured some cool visuals and interesting death scenes, it was overall very boring and failed to add anything significant to the lore of the franchise. The film does have moments of visual flair, with certain scenes showcasing impressive special effects and creative cinematography. A major issue with the film is the way it handles its female characver mais...

It was alright. Not bad, but definitely not as good as previous omens. First of all, its story was short, but too stretched into 2 hours length & to be honest it felt like movie was very slow paced which made it a bit dull. Secondly, almost whole movie was happening in once place - nunnery and basically movie lacked scenes in other places, which made it a again dull and boring. Wasn't scary eitherver mais...

It was alright. Not bad, but definitely not as good as previous omens. I think main problem was that first of all it was too stretched into 2 hours and almost whole movie was happening in once place - nunnery and basically movie lacked scenes in other places, which made it a bit boring to be honest. Wasn't scary. I think 6/10 is appropriate rating for this movie.

This was shot and directed well and the way that Margaret's story was constructed early on was interesting. The movie is less appealing in its final act as it ushers in the arrival of the antichrist and tries to tie itself into the original **Omen** film. That film was made almost 50 years ago, and most modern moviegoers aren't going to appreciate the effort. There aren't many jump scares in ver mais...

The First Omen" is a chilling and atmospheric horror film that effectively pays homage to the original which came out in 1976 while presenting a fresh and unsettling perspective, with standout performances and direction that will leave viewers on edge. The film's atmospheric tension, creepy moments, and effective storytelling makes is a worthwhile horror flick. Director Arkasha Stevenson's debut fver mais...

The First Omen, like so many latter day spin offs, of well respected franchises, fails to understand what made the original films so successful. I well remember the original Omen film and how it held me. Its intricate story, which chillingly displaced a sense of normalcy with a ever growing horror and otherworldly menace, was truly compelling. By contrast. The First Omen lacks true progrever mais...

Novice "Margaret" (Nell Tiger Free) arrives in Rome to a welcome from her cardinal sponsor "Lawrence" (Bill Nighy) where she hopes to complete taking her vows. She is greeted with open arms and taken on a tour of what she hopes will become her new home. This is when she encounters the shy "Carlita" (Nicole Sorace) who spends much of her time in solitude drawing. This intrigues "Margaret" but not aver mais...

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/the-first-omen-review-a-must-watch/ "The First Omen holds many narrative issues and a too-safe ending, but it deserves to be seen on the big screen due to its grotesque practical effects, hauntingly well-built atmosphere, and one of the most impressive, transformative performances of the year by Nell Tiger Free. Debutant filmmaker Arkasha Stever mais...