
A BRUTAL JOURNEY TOWARDS THE WILDEST REVENGE.
The Shadow Mountains, 1983. Red and Mandy lead a loving and peaceful existence; but when their pine-scented haven is savagely destroyed, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire.
- 6.2
- 2018
- Released
- 2h 2m

Nicolas Cage
Red Miller
Andrea Riseborough
Mandy Bloom
Linus Roache
Jeremiah Sand
Ned Dennehy
Brother Swan
Olwen Fouéré
Mother Marlene
Richard Brake
The Chemist
Bill Duke
Caruthers
Line Pillet
Sister Lucy
Clément Baronnet
Brother Klopek
Alexis Julemont
Brother Hanker
Hayley Saywell
Sis
Stephan Fraser
Brother Lewis
Tamás Hagyuó
Fuck Pig
Paul Painter
Announcer / Cheddar Goblin (voice)
Zeva DuVall
Cheddar Goblin Girl (uncredited)

Released
en
$6,000,000.00
$1,653,784.00
- #rescue
- #nightmare
- #kidnapping
- #narcissism
- #dark comedy
- #lsd
- #surrealism
- #hallucinogen
- #revenge
- #grief
- #murder
- #russian roulette
- #animated scene
- #chainsaw
- #cabin in the woods
- #motorcycle
- #death
- #lumberjack
- #cult leader
- #religious cult
- #burning corpse
- #aggressive
- #death of girlfriend
- #nervous
- #1980s
- #grim
- #vengeance
- #psychedelic drug
- #demonic
- #independent film
- #blood
- #biker gang
- #intense
- #sinister
- #distressing
Reviews

"Mandy" is a surreal mind trip of a movie. Shot in reddish-neon colors with a haunting bizarre soundtrack, it starts with logger Nicolas Cage as the most grounded and mellow he's been in years as he cuddles with his girl Mandy in a bedroom with floor-to-ceiling windows in the forest somewhere. When a skeevy cult leader lusts after and kidnaps Mandy after a random drive by, the inner "Cage" beast i

"Mandy" is a surreal mind trip of a movie. Shot in reddish-neon colors with a haunting bizarre soundtrack, it starts with logger Nicolas Cage as the most grounded and mellow he's been in years as he cuddles with his girl Mandy in a bedroom with floor-to-ceiling windows in the forest somewhere. When a skeevy cult leader lusts after and kidnaps Mandy after a random drive by, the inner "Cage" beast i

**_Entertainingly insane_** > **Nick Allen**: _As a viewer, you step into a movie like this and you’re excited for its genre spectacle, but then you find out that it’s really sensitive. I was wondering how important that was to you, to have that more gentle nature?_ > > **Panos Cosmatos**: _It was very important to me. I didn't want to make a purely testosterone-driven man film at all. I wan
This is one weird movie. I have to confess that I am quite a fan of Nicholas Cage. I know he has made more than his share of really crappy movies but I can not help myself. When I see a movie with him in the lead role I still have to watch it. This movie is one of those. There are definitely some interesting cinematic aspects to this movie. As a piece of cinematic art I would say that it is not

Ok, I can see what Panos Cosmatos is going for; riding the 80s vibe but going for heavy metal instead of synthwave. Set in the eighties, there are plenty of references to the cultural conglomerate of the era with glam/speed/heavy metal and fantasy art, b-action machoismo, outsiderness and self-imposed isolation. It is even haunted by the counter culture seventies with the vicious religious hippie

_By JD Phillips, geekr.org_ I think this is the strangest review I might ever write. Mostly because the film in question is a strange experience, unlike most others. It's simultaneously a brilliant piece of 80’s horror art and an overindulgent mess that never figures itself out outside its influences. Basically, it’s a film where it makes perfect sense for Nicolas Cage to scream, cry, laugh men
Being very intrigued and in parts fascinated with Beyond the Black Rainbow from a pure cinephile perspective, I was quite eager to see a new film by Panos Cosmatos. After learning about Mandy and what it was about, and seeing it being a bigger budget and more thought-out endeavour, I was of course very eager to see it. After finally watching Mandy it feels to me that Panos Cosmatos failed to deliv

This is "style over substance" done to the extreme. While visually stunning, even hauntingly beautiful at times, there's utterly no point to any of it. Add to that the ridiculous and sometimes painful dialogue and extremely slow pacing, and you got quite a mess in my book. Now, that is not to say it does not have any redeeming qualities - the visual aspect is one, so is the soundtrack. And, well,

_Mandy_ is very much my sort of movie. but it's still not perfect to me. Every trope that makes up _Mandy_, the neon, the synth, the gore, whatever gimmick nonsense, safe to assume I loved it. But _Mandy_ takes **so long** to get going. Normally that's not a mark against a movie in my book, but here's my problem: The entire first half of the movie that's all set-up, gave me absolutely no feel for

Definitely not for everyone, this is a niche-of-a-niche type of film: psychedelic-art-horror with a dash of comedy. And I loved it. Some incredible shots and scenes with tons of mind bending crap. So much going on. After a first watch, I think a few of the scenes could probably have been cut a little shorter but I don't know... I need to watch again. And I *want* to watch it again. I felt Nic C
Saw this movie last week and disliked it at first. Without going into spoilers, I was probably in the wrong mindset to enjoy it properly. But, it stuck with me for days later and I couldn't stop thinking about it. I ended up liking it a lot and will re-watch it as soon as I get the chance. It's visually stunning and the soundtrack complements the visuals perfectly. Soundtrack is getting re











