
Adriano Tardiolo
Lazzaro
Agnese Graziani
Antonia (young)
Luke Chikovani
Tancredi (young)
Alba Rohrwacher
Antonia
Sergi López
Ultimo
Tommaso Ragno
Tancredi
Natalino Balasso
Nicola
Nicoletta Braschi
Marchesa Alfonsina De Luna
Carlo Massimino
Pippo
Daria Pascal Attolini
Maria Grazia (Adult)
Maddalena Baiocco
Stefania
Giulia Caccavello
Teresa
Annunziata Capretto
Natalina anziana
Davide Denci
Appuntato
Edoardo Montalto
Pippo (young)
Leonardo Nigro

Gala Othero Winter
Stefania
Iris Pulvano
Natalina (adult)
Ettore Scarpa
Maresciallo
Pasqualina Scuncia
Suora
Carlo Tarmati
Carletto
Pascal Tréguy
Head animal trainer
Daria Deflorian
Donna Truffata
Elisabetta Rocchetti
Teresa (adult)
Luciano Vergaro
Catirre adulto
Annibale De Luca
Catirre anziano
Giuseppe Corsini
Ardito adulto
Marcello Duranti
Ardito anziano
Marco Donno
Don Severino
Nicola Sorci
Giuseppe
Sofia Stangherlin
Mariagrazia
Silvia Lucarini
Mariù (young)
Lucia Centoscudi
Grandmother Agostina
Anita Crucitti
Assuntina
David Bennent
Swiss engineer
Antonio Salines
Nicola anziano






Released
it
- #wolf
- #rural area
- #magic realism
- #sharecropper
Reviews

Adriano Tardiolo is really good in this biblically apt story of the young “Lazzaro”. He’s a generous-spirited young man who energetically helps out in his community - one under the thumb of the uncaring dominatrix “Marchesa” (Nicoletta Braschi) who treats this agrarian community little better than the animals she describes them as. She has a teenage son “Tancredi” (Luca Chikovani) who, though spoi
A tale (or fable?) of social commentary by directress and writer Alice Rohrwacher (that I first knew in the short "Le Pupille") in rural Italy with touches of anti capitalism and class division, where sharecroppers live, without knowing their semi-slavery state because of lack of knowledge. Lazzaro the protagonist, is an innocent character that is happy to make others happy, in the pureness of his

‘Happy as Lazzaro’ comes and goes like an airy fable but doesn’t make as much of an impact as it wants to. Through a lack of convincing and earned pivot, its first half in realism drags down the escapism it yearns for in its second half. Its ambition is to be commended and is definitely a film that deserves to be seen, but as a whole is just verging on greatness. - Ashley Teresa Read Ashley's












