
Let the festivities begin.
Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.
- 7.2
- 2019
- Released
- 2h 27m

Florence Pugh
Dani
Jack Reynor
Christian
William Jackson Harper
Josh
Will Poulter
Mark
Vilhelm Blomgren
Pelle
Isabelle Grill
Maja
Gunnel Fred
Siv
Ellora Torchia
Connie
Archie Madekwe
Simon
Henrik Norlén
Ulf
Agnes Westerlund Rase
Dagny
Julia Ragnarsson
Inga
Mats Blomgren
Odd
Lars Väringer
Stev
Anna Åström
Karin
Hampus Hallberg
Ingemar
Liv Mjönes
Ulla
Louise Peterhoff
Hanna
Katarina Weidhagen
Ylva
Björn Andrésen
Dan
Tomas Engström
Jarl
Dag Andersson
Sven
Lennart R. Svensson
Mats
Anders Beckman
Arne
Rebecka Johnston
Ulrika
Tove Skeidsvoll
Majvor
Anders Back
Valentin
Anki Larsson
Irma
Levente Puczkó-Smith
Ruben
Frans Cavallin Rosengarten
Bror
Vilmos Kolba
Elder
Mihály Kaszás
Torbjörn
Gabi Fón
Dani's Mother
Zsolt Bojári
Dani's Father
Klaudia Csányi
Terri
Anna Berentzen
Pizza Waitress
Austin R. Grant
Hipster Guy



















Released
en
$9,000,000.00
$48,498,408.00
- #loss of loved one
- #ritual
- #paranoia
- #sweden
- #cult
- #hallucinogenic drug
- #magic mushroom
- #anthropology
- #human sacrifice
- #paganism
- #death of family
- #blunt
- #boyfriend girlfriend relationship
- #grieving
- #midsummer
- #cultural conflict
- #bad trip
- #folk horror
- #psychological disorders
- #toxic relationship
- #midnight sun
- #isolated community
- #summer festival
- #traumatized woman
- #violence
- #ambiguous
- #foreboding
Reviews

69/100 A group of friends go to a secluded village in Sweden to experience the Midsommer festival. Little did they know... Chopping out about 45 mins of film may have given it some much needed energy. Despite the long-winded nature of belaboring a few points beyond their need, this was an immersive and mesmerizing clash of cultures and how it affects the newcomers who're completely out of their

**It starts with good premises, but is lost due to a miserable script and a direction that needs direction.** Ari Aster is not a director that I consider good. This is his second feature film, and he didn't show great talent for directing here. However, worse than his direction is his absolute lack of writing skills: the script he wrote here is mediocre, to be nice, and completely kills the fil
**Not what it appears to be... I really did not-see this coming...** This is one of those horror movies that is actually really deep and symbolical and works on multiple levels and has multiple stories hidden within the surface narrative and in this case it's actually 3 stories that are told at the same time, though only the surface narrative is picked up consciously, the other 2 are picked up
Of course creators of this movie are big fans of the wicker man movie(excellent 60's movie). Very slow action. Didn't got bored ,but in the end not fully satisficed.

This place raises more red flags than Summerisle, an overlong film and the characters are as thick as pigsh*t. I was so hoping the finale would deliver the goods but it ended up as a less memorable 'The Wicker Man'. But, but, but I do admire it.

Hey, honey - let's take a trip to a surreal drug-fuelled Swedish festival with cruel pagan tendencies? Yes, I know - it all sounds too bonkers; and yes, for the main, it is. I think you have to be in the zone if you are going to get anything from this otherwise it could fairly be described as nonsense. There are shades of "The Wicker Man" here, but this is nowhere near as well written or as scary.

_**“The Wicker Man” meets “The Village”**_ Invited by their genial Swedish friend, four college students from New York take a vacation to rural Sweden to experience a Midsummer celebration at a commune. A couple of them are cultural anthropology students, who are naturally interested in the friendly isolated group and their odd ceremonies. The situation goes from friendly and curious to shockin

An impressive work, “Midsommar” is Ari Aster’s follow-up to “Herditary,” a decent if flawed horror film. “Midsommar” follows Dani, who, after the tragic loss of her parents and sister, decides to follow her increasingly distant boyfriend and his friends on a trip to Sweden to visit the pagan cult commune their roommate, Pelle, grew up in. While seemingly open and friendly, it becomes obvious fa

_Midsommar_ might genuinely be my big disappointment for 2019. I'm not saying it's bad. But coming into this on the back of not only the crazy good _Hereditary_ from last year, but also the **gushing** praise from the online horror community, I guess my expectations were a little high. It doesn't make me feel good to say it, but honestly I'm glad I didn't see this in the cinema. Firstly because I
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) This was easily one of my most anticipated movies of the year. Hereditary was my favorite film of 2018, so obviously, Ari Aster's second feature grabbed my full attention from the very first announcement. Fortunately, even though Midsommar is only being released now in my country, I was able to stay away from spoilers, as we

_**Very poorly advertised as something it isn't; will be sure to frustrate and impress in equal measure**_ > _Methought I was enamoured of an ass._ - William Shakespeare; _A Midsummer Night's Dream_ (1595) >_Sometimes at pagan shrines they vowed_ >_offerings to idols, swore oaths_ >_that the killer of souls might come to their aid_ >_and save the people. That was their way,_ >

Although arthouse horror movies really aren’t my thing for the most part, ‘Midsommar’ falls into a strange middle ground where I wasn’t bored but I wasn’t invested either. I feel no need to “finding the mean“ to read theories online, because I simply don’t care. The only saving grace is the visuals, which are breathtaking and wildly creative at times, but it’s not a trip I want to take again. -

Although it has an elegant way of building suspense and one absolutely stunning opening scene, I think Midsommar fails for me in the execution of its sequences. The whole movie is slowly building up the dread of the pagan cult, but fails to deliver when it comes to showcasing the brutality toward the end, and after two hours of build up it's baffling how minute the payoff is. The performances are











