
Anya Taylor-Joy
Emma Woodhouse
Johnny Flynn
George Knightley
Josh O'Connor
Mr. Elton
Callum Turner
Frank Churchill
Mia Goth
Harriet Smith
Miranda Hart
Miss Bates
Bill Nighy
Mr. Woodhouse
Rupert Graves
Mr. Weston
Gemma Whelan
Miss Taylor / Mrs. Weston
Amber Anderson
Jane Fairfax
Tanya Reynolds
Mrs. Elton
Connor Swindells
Robert Martin
Angus Imrie
Bartholomew
Letty Thomas
Biddy
Aidan White
Hartfield Butler
Edward Davis
Charles
Chris White
James, Hartfield Coachman
Myra McFadyen
Mrs. Bates
Esther Coles
Mrs. Cox
Suzy Bloom
Miss Gilbert
Suzie Toase
Mrs. Coles
Nicholas Burns
Mr. Coles
Connor Dalton
Donwell Footman
Lucy Briers
Mrs. Reynolds
Anna Francolini
Mrs. Goddard
Christopher Godwin
Mr. Perrie
Vanessa Owen
Catherine Martin
Isis Hainsworth
Elizabeth Martin
Hannah Stokely
Mrs. Martin
Charlotte Weston
Mrs. Ford
Max Toovey
Henry Knightley
Cecelia Jacob
Bella Knightley
Cody Gipson
John Knightley Jnr.
Tabitha Coop
Emma Knightley
Juno Coop
Emma Knightley
Chloe Pirrie
Isabella Knightley
Oliver Chris
John Knightley
Rose Shalloo
Hannah
Janine Craig
Dancer
Cris Penfold
Dancer
Nike Van Shie
Dancer
Leigh Daniels
Dancer
Alastair Postlethwaite
Dancer
Shaun Walters
Dancer
Zachary Trevitt
Dancer
Philippe Barnes
Musician - Flute
Giles Lewin
Musician - Violin
Edmund George Taylor
Musician - Violin
Joe Zeitlin
Musician - Cello













Released
en
$10,000,000.00
$25,200,000.00
- #countryside
- #based on novel or book
- #matchmaking
- #19th century
- #georgian or regency era
- #matchmaker
- #witty
Reviews

An artful and inspired retelling of a classic. Delightfully Wes Anderson esc with a feminine pallete.
Well, what a happy surprise. The director set up absolutely beautiful scenes of stunning upper class English homes. Elaborate rooms. Just an awsome film. A most happy ending for everyone. A bit tongue in cheek portrail of English life during the Victorian era. Really enjoyed it.

When I saw the previews for this latest interpretation of Jane Austen’s Emma, I envisioned a reimagining of the classic, with the plot or the setting radically changed with creative license applied liberally throughout. I was ready to not like it. But instead I discovered that wondrous creativity was launched to make small tweaks to details. There was Harriet Smith, who may have been plain, but

Thinly plotted but enjoyable enough drama-comedy with a nice performance from Anya Taylor-Joy. Never read the Jane Austen novel nor seen any of the other adaptations, so I don't know how this one compares, but I liked it well enough. **3.0/5**
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Emma. is Autumn de Wilde's feature film directorial debut, as well as Eleanor Catton's screenwriting debut. I never watched any previous adaptations and period movies aren't exactly "my thing". This doesn't mean I can't appreciate them! The Favourite and Little Women are the most recent examples of

If you doubt the need for another Austen, let this gorgeous film change your mind. Instead of ignoring the offers made to the period film genre by great films like 'Anna Karenina' and <a href=“/article/review-the-favourite-a-delicious-work-of-magnificent-insanity“>'The Favourite'</a>, 'Emma.' runs with them, finding a new language for approaching the great works of one of the great writers, realis












