
Gene Hackman
Harry Caul
John Cazale
Stan
Allen Garfield
William P. 'Bernie' Moran
Frederic Forrest
Mark
Cindy Williams
Ann
Michael Higgins
Paul
Elizabeth MacRae
Meredith
Teri Garr
Amy Fredericks
Harrison Ford
Martin Stett
Mark Wheeler
Receptionist
Robert Shields
The Mime
Phoebe Alexander
Lurleen
Ramon Bieri
Man at Party (uncredited)
Gian-Carlo Coppola
Boy in Church (uncredited)
Robert Duvall
The Director (uncredited)
Richard Hackman
Confessional Priest / Security Guard (uncredited)
Billy Dee Williams
Man in Yellow Hat (uncredited)



Released
en
$1,600,000.00
$4,794,457.00
- #shadowing
- #san francisco, california
- #technology
- #spy
- #audio tape
- #paranoia
- #wiretap
- #saxophone
- #conspiracy
- #tragic event
- #surveillance
- #voyeurism
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Reviews
“The Conversation” is not what you’d expect - but, it must be said, is fantastic and nearly flawless in its own right. It is more similar to Antonioni’s “Blow” than DePalma’s, and a sense of eeriness flows throughout the work, bolstered by Gene Hackman’s solemn and brooding performance. The best thing about this movie though, is the shocking third act, which I wouldn’t dare spoil here.

Gene Hackman is superb here as "Harry" - a super-efficient surveillance expert who discovers in the line of duty that a couple he is monitoring might well be about to be murdered. It becomes clear that the couple - Cindy Williams & Frederic Forrest are having an affair but that is just the tip of the conspiratorial iceberg in this tautly scripted/directed effort from Francis Ford Coppola. It's a s
"The Conversation" is a tense thriller that explores how paranoia can take over all aspects of everyday life once something disturbing is discovered. Paid to eavesdrop on two people in a public place, Harry Caul ( Gene Hackman ) records the conversation and after some work produces a tape with clarity for his client. However Harry is riddled with guilt from a previous job that led to the peopl
Unfortunately, it appears with every passing day that the great American paranoid political thrillers of the 60's and 70's, with its strongest work bookended by 'The Manchurian Candidate' (eerily foreseeing the JFK assassination) and 'All the President's Men' (placing a coda of closure on the Watergate scandal), simply haven't aged a day, and are as timely as ever in conceptualizing the palpable f












