
Ten Wanted Men
The life and death of a reign of terror!
When his ward seeks protection with rival cattleman John Stewart, embittered, jealous rancher Wick Campbell hires ten outlaws to help him seize power in the territory.
- 5.8
- 1955
- Released
- 1h 20m

Randolph Scott
John Stewart
Jocelyn Brando
Corinne Michaels
Richard Boone
Wick Campbell
Alfonso Bedoya
Hermando
Donna Martell
Maria Segura
Skip Homeier
Howie Stewart
Clem Bevans
Tod Grinnel
Leo Gordon
Frank Scavo
Minor Watson
Jason Carr
Lester Matthews
Adam Stewart
Tom Powers
Henry Green
Dennis Weaver
Sheriff Clyde Gibbons
Lee Van Cleef
Al Drucker
Eumenio Blanco

George Boyce

G. Pat Collins

Ben Corbett

Kathleen Crowley

Franklyn Farnum

Terry Frost

Herman Hack

Louis Jean Heydt

Edna Holland

Reed Howes

Jack Kenny

Ethan Laidlaw

Paul Maxey

Francis McDonald

Boyd 'Red' Morgan

Jack Parker

Jack Perrin

Denver Pyle

Julian Rivero

Chuck Roberson
Gunfighter (uncredited)
Bob Terhune

Al Wyatt Sr.

Released
en
- #murder
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Reviews

Try as he might, Randolph Scott never really could play a tough character convincingly. To me, he just always looked like too much of decent, honourable man. This film, though, is one of his better efforts as the rancher ("Stewart") who steps in to protect "Corrine" (Jocelyn Brando) from the clutches of her nasty guardian "Campbell" (Richard Boone). Irked by her defection, he hires "Scavo" (Leo Go

**_Has its points of interest, but not one of Scott’s better Westerns_** When the lovely ward of a menacing rancher in Arizona (Richard Boone) flees to the spread of a rival cattle baron (Randolph Scott) he hires ten shady gunmen to set things a’right. Leo Gordon and Lee Van Cleef are on hand as the latter while a youthful Dennis Weaver plays the Sheriff. "Ten Wanted Men" (1955) is a weak bu

Range war fails to ignite. Ten Wanted Men (the title hints at something far more dramatic than is actually in the picture) is a serviceable, but instantly forgettable Western from the Scott-Brown production company. Directed by jobber H. Bruce Humberstone, with a screenplay by Kenneth Gamet (from a story by Irving Ravetch) and filmed in Technicolor out in Old Tuscon, it feels (and is) lifeless











