
Luis Bunuel's Masterpiece of Erotica!
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
- 7.3
- 1967
- Released
- 1h 41m

Catherine Deneuve
Séverine Serizy
Jean Sorel
Pierre Serizy
Michel Piccoli
Henri Husson
Geneviève Page
Madame Anais
Pierre Clémenti
Marcel
Françoise Fabian
Charlotte
Macha Méril
Renée
Muni
Pallas
Maria Latour
Mathilde
Claude Cerval
The Driver (uncredited)
Michel Charrel
Footman
Iska Khan
Asian Client
Bernard Musson
Majordomo
Marcel Charvey
Prof. Henri
François Maistre
The Teacher
Francisco Rabal
Hyppolite
Georges Marchal
Graf
Francis Blanche
Mr. Adolphe
Marc Eyraud
Barman (uncredited)
Bernard Fresson
The Hail (uncredited)



Released
fr
- #adultery
- #prostitute
- #jealousy
- #dreams
- #husband wife relationship
- #dual identity
- #double life
- #sexual frustration
- #brothel
- #women's sexual identity
- #masochism
- #sexual exploration
Reviews

The slightly kinky opening scenes of this film go some way to explaining just why "Severine" (Catherine Deneuve) isn't so satisfied with her handsome yet sexually uninspiring husband "Pierre" (Jean Sorel). Indeed, quickly we gather that they are yet to consummate their nuptials at all! Increasingly exasperated, she hears of a "facility" run by "Madame Anais" (Geneviève Page) where some of those ki
A blunt surprise insofar as the movies stark depictions of both a young woman's eccentric erotic fantasies alongside a rather harsh alternative lifestyle. In the middle there is a very conventional and ordinary real life tale of a married couple where the husband has no idea what's going on within his wife's mind, and life, both past and present. Reality and fantasy seem to blend in a young woma
A wonderful parable of love, relationships and the place in both for fantasy and imagination. Certainly much more enjoyable to watch, not to mention better acted and directed, than recent delvings into that subject matter, like Lars von Trier's Nymphomaniac (though that wasn't the latter's point). Intensely beautifully photographed, with wonderful performances, most especially by Catherine Deneuve











