
Look up! Look down! Look out! Here comes the biggest Bond of all!
A criminal organization has obtained two nuclear bombs and are asking for a 100 million pound ransom in the form of diamonds in seven days or they will use the weapons. The secret service sends James Bond to the Bahamas to once again save the world.
- 6.7
- 1965
- Released
- 2h 10m

Sean Connery
James Bond
Claudine Auger
Dominique 'Domino' Derval
Adolfo Celi
Emilio Largo
Luciana Paluzzi
Fiona Volpe
Rik Van Nutter
Felix Leiter
Guy Doleman
Count Lippe
Molly Peters
Patricia Fearing
Martine Beswick
Paula Caplan
Bernard Lee
M
Desmond Llewelyn
Q
Lois Maxwell
Miss Moneypenny
Roland Culver
Foreign Secretary
Earl Cameron
Pinder
Paul Stassino
Palazzi
Rose Alba
Madame Boitier
Philip Locke
Vargas
George Pravda
Kutze
Michael Brennan
Janni
Leonard Sachs
Group Captain
Edward Underdown
Air Vice Marshall
Reginald Beckwith
Kenniston
Harold Sanderson
Hydrofoil Captain
Jack Gwillim
Senior RAF Staff Officer
Suzy Kendall
Prue (uncredited)
Mitsouko
Madame La Porte
Philip Stone
SPECTRE Number 5
Anthony Dawson
Ernst Stavro Blofeld
Bob Simmons
Colonel Jacques Bouvar - SPECTRE #6
Richard Graydon
Largo's Henchman (uncredited)
Michael Culver
Vulcan Bomber Crewman (uncredited)
Barbara Jefford
Patricia Fearing (voice) (uncredited)
André Maranne
SPECTRE #10
Bob Simmons
Jacques Bouvar - SPECTRE #6 (uncredited)
Nikki Van der Zyl
Dominique 'Domino' Derval (voice)











Released
en
$9,000,000.00
$141,200,000.00
- #sea
- #florida
- #paris, france
- #spy
- #fighter pilot
- #bahamas
- #sanatorium
- #secret organization
- #nuclear missile
- #coral reef
- #secret agent
- #scuba diving
- #british spy
- #shark
- #scuba
- #british secret service
- #big ben
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Reviews
Thunderball is definitely one of the worst Bond films, after the 1st act nothing exciting happens and it is rather boring.

Whilst he isn't quite as megalomaniac as "Auric Goldfinger"; Adolfo Celi is great here as "Largo" - the Spectre agent charged with their most ambitious mission yet. A great deal of meticulous planning has gone into their scheme to hijack an RAF plane carrying nuclear missiles that they intend to blackmail the world with. "M" (Bernard Lee) despatches "007" (Sean Connery) to investigate, a global jo

This is the hay day of Bond. We get it all. Stunning women, great gadgets, non stop action, wit, and the exotic scenery that make 007 films so iconic. We also get the two greatest evil henchmen deaths in 007 film History, and may in film History. The boardroom assassination sticks out, because we know which of the two men is the embezzler by his demeanor. Innocent men have no idea how to prove t

This is certainly the last of the classic 007 films. This is the last time we see 007 as the cold hearted assassin that he is. The last time we see a Bond that, the only reason he's really a good guy is because of what side he is on and not what he is. In later films they call him a blunt instrument, but in this film he actually still is. He's still the trigger man. He still has no respect for

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_**James Bond underwater adventure with the best female cast**_ After a couple atomic bombs are stolen from the RAF, agent 007 (Sean Connery) travels to Nassau, Bahamas, to clash with SPECTRE agent Emil Largo (Adolfo Celi) and his femme fatale accomplice (Luciana Paluzzi). Claudine Auger is on hand as Largo’s naïve woman. "Thunderball" (1965) is one of my favorites of Connery’s run in the

It can be difficult and not very useful to compare the early James Bond movies to the later ones. The female characters become more than merely ornamental and more interesting, the plots become more intricate, the villains less stereotypical, and the special effects better and better. Having said all that, I must confess I give Thunderball a pass on any such criticism or comparison, for a rathe

Sir, I'd respectfully request that you change my assignment to Nassau. Thunderball is directed by Terence Young and adapted to screenplay by Richard Maibaum and John Hopkins from a story by Kevin McClory, Jack Whittingham and Ian Fleming. It stars Sean Connery, Adolfo Celi, Claudine Auger, Rick Van Nutter and Martine Beswick. Music is scored by John Barry and cinematography by Ted Moore. The











