
Mickey 17
He's dying to save mankind.
Unlikely hero Mickey Barnes finds himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living.
- 6.8
- 2025
- Released
- 2h 17m

Robert Pattinson
Mickey Barnes
Naomi Ackie
Nasha
Steven Yeun
Timo
Mark Ruffalo
Kenneth Marshall
Toni Collette
Ylfa
Anamaria Vartolomei
Kai Katz
Daniel Henshall
Preston
Patsy Ferran
Dorothy
Steve Park
Zeke
Tim Key
Pigeon Man
Holliday Grainger
Red Hair
Michael Monroe
Matthew
Cameron Britton
Arkady
Edward Davis
Alan Manikova
Ian Hanmore
Darius Blank
Lloyd Hutchinson
Underboss
Christian Patterson
Chainsaw Guy
Samuel Blenkin
Delinquent Borrower
Sabet Choudhury
News Reporter
Rose Shalloo
The Supporter
Bronwyn James
Receptionist
Milo James
Young Mickey
Jude Mack
Kai's New Girlfriend
Thomas Turgoose
Bazooka Soldier
Adam Colborne
Gate Agent
Tom Cawte
Prison Guard
Ellen Robertson
Jennifer Chilton
Sam Woodhams
Quartermaster
Kayla Meikle
Flitter Driver
Haydn Gwynne
Congresswoman
Theo Ogundipe
Police Detective
Jamila Wingett
Stage Manager
Spike White
Committee Chairperson
Angus Imrie
Agent Charlie
Afolabi Alli
First Marshall's Agent
Anna Mouglalis
Mama Creeper (voice)


![Behind the Scenes: Creating the Characters [Subtitled]](https://img.youtube.com/vi/QVNopsSf_ug/hqdefault.jpg)
![Behind The Scenes: Bong Joon Ho's Directorial Style [Subtitled]](https://img.youtube.com/vi/Lta17-0DOe0/hqdefault.jpg)
![Behind the Scenes: Creating the Visuals of Mickey 17 [Subtitled]](https://img.youtube.com/vi/T-CH0hSMWkc/hqdefault.jpg)




































































Released
en
$118,000,000.00
$131,847,147.00
- #based on novel or book
- #dark comedy
- #space travel
- #space colony
- #alien planet
- #creature
- #space adventure
- #human clone
- #spaceship
- #space sci-fi
- #black comedy
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Reviews
"Mickey 17" for those of us, old enough to remember has a Jerry Lewis in space, vibe. Mickey's a sad sack, goofy, kind of misfit, who finds himself becoming essentially, a recyclable "crash test dummy", in space, to avoid an arguably worse fate, on earth, at the hands of sadistic, loan sharks. Simply put, this irritated me from beginning to end. Its not what it needs to be, that is, genui
Nothing incredibly groundbreaking, and a little heavy handed with the satire, but a fun ride and well shot, with all of the "I shouldn't laugh at this but I am" that you'd expect I am guilty, as many others will be, of comparing this to Parasite. Doing so is doing the movie a disservice. From Bong Joon Ho I was not expecting a silly black comedy that would have the whole theater laughing. Accep

<em>'Mickey 17'</em> is a blast! What a fun time at the cinema this was. It delivers a super engaging plot, an excellent cast and some tremendous special effects. I, like almost everyone, love Bong Joon Ho's <em>'Parasite'</em>, but personally I'd rank this one of his higher. That's likely a personal thing, this is more entertaining and highly likely more rewatchable; that named 2019 flick is q

“Mickey” (Robert Pattinson) is desperate to avoid a grisly fate at the hands of a loan shark, so decides his best bet is to get off-planet. Thing is, there are an whole load of like-minded folk so his only hope is to be an expendable. That means he gets used for all the dangerous and experimental tasks and if he gets killed or seriously maimed, they just lob him in the incinerator and reprint him
Some movies have a way of hitting things right on the head, either intentionally or by happy accident. And such is the case in both regards in the latest offering from Oscar-winning writer-director Bong Joon Ho, a hilariously insightful sociopolitical sci-fi satire that knocks it out of the park in more ways than one can count. In an age of casual throw-away culture, “Mickey 17” takes this idea to
FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/mickey-17-review-robert-pattinson-shines-in-bong-joon-hos-latest-genre-bending-adventure/ "Mickey 17 presents an intriguing sci-fi concept and raises interesting questions, even if it doesn't always explore them with the desired depth. Bong Joon-ho continues to demonstrate his mastery in blending genres, but here, the satire and lac











