Napoleon

He came from nothing. He conquered everything.

Sinopse

An epic that details the checkered rise and fall of French Emperor Napoleon Bonaparte and his relentless journey to power through the prism of his addictive, volatile relationship with his wife, Josephine.

  • 6.3
  • 2023
  • Released
  • 2h 38m

Joaquin Phoenix

Napoleon Bonaparte

Vanessa Kirby

Josephine Bonaparte

Tahar Rahim

Paul Barras

Rupert Everett

Duke of Wellington

Mark Bonnar

Junot

Paul Rhys

Talleyrand

Ben Miles

Caulaincourt

Riana Duce

Lucille

Edouard Philipponnat

Tsar Alexander

Miles Jupp

Emperor Francis I

Scott Handy

Marshal Berthier

Youssef Kerkour

Marshal Davout

John Hollingworth

Marshal Ney

Abubakar Salim

General Dumas

Thom Ashley

La Bedoyere

Jannis Niewöhner

Hippolyte Charles

Julian Rhind-Tutt

Sieyes

John Hodgkinson

Fouche

Erin Ainsworth

Hortense I

Isabella Brownson

Hortense II

Benjamin Chivers

Eugene I

Sam Meakin

Eugene II

Sinéad Cusack

Letizia Bonaparte

Harriet Bunton

Pauline Bonaparte

Charlie Greenwood

Caroline Bonaparte

Audrey Brisson-Jutras

Elisa Bonaparte

Matthew Needham

Lucien Bonaparte

Sam Crane

Jacques-Louis David

Sam Troughton

Robespierre

Edward Bennett

Royalist Supporter

Julian Wadham

Jean de Cambaceres

Ludivine Sagnier

Theresa Cabarrus

Catherine Walker

Marie Antoinette

Honor Kneafsey

Marie Antoinette Kid #1

Alexander Shaw

Marie Antoinette Kid #2

Phil Cornwell

Sanson the Bourreau

Harry Taurasi

Citizen Lacombe

Edward Mercieca

General Carteaux

Arthur McBain

General Marchand

Andy Burse

Drunken British Guard

Jonathan Rice

Dealer | Victim's Ball

Emeric Bernard-Jones

Barras' Friend #1

Bay Bryan

Barras' Friend #2

Michael Twaits

Barras' Friend #3

Michael O'Connor

Charles Leclerc

Dominic Coleman

Clerk | Storage Room

Ian McNeice

Louis XVIII

Richard McCabe

Lord Whitworth

Tom Godwin

Austrian Ambassador

Gavin Spokes

Moulin

Catherine Harvey

Moulin's Wife

David Verrey

Gohier

Benedict Martin

Roger Ducos

Edward Hogg

Citizen Gilbert

Ed Hughes

Lucien's Associate

Jonathan Barnwell

Bourrienne (Napoleon's Secretary)

Robin Soans

Pope Pius VII

Abigail Weinstock

Eleanore

Bart Lambert

Cosack Scout (Lake)

Joshua Leese

French Signal Man #1 (Austerlitz)

Nicholas Shaw

French Signal Man #2 (Austerlitz)

Anna Mawn

The Duchess Marie Louise

Imogen Slaughter

Nurse | Baby Napoleon

Mitchell Baggott

French Corporal

Ned Costello

French Grenadier (Butcher)

John Mula

Fisherman | Golfe-Juan

Kevin Eldon

Dr Corvisart

Henry Morgan

Little Boy | Grasse

Logan Truter

Little Boy #2 (Grasse)

Saxon Fox

Little Boy #3 (Grasse)

Richard Leeming

Messenger | Tuileries

Billy Byers

Napoleon's Boy Waterloo

Tim Faulkner

Blucher

Peter Sandys-Clarke

British Lieutenant | Waterloo

Tim Delap

Imperial Guard | Waterloo

Olivia Juno Cleverley

Girl St Helena

Sophie Wohlfeld

Girl #2 St Helena

Cormac Hyde-Corrin

Mid Shipman #1

Hal Gavin

Mid Shipman #2

Michael Nardone

Plotter (Jacobin Club)

Chris Barltrop

Elderly Male Vagrant #1 | Moscow

Robert Goodman

Elderly Male Vagrant #2 | Moscow

Sophie Lund

Nanny

Oliver Phillips

British Express Rider

Morgan Watkins

Prussian Officer

Ed Eales White

Duke D'Enghien (uncredited)

Jacob Marshfield

Cannon Commander (uncredited)

Jean-Pascal Heynemand

5th Musket Regiment Drummer (uncredited)
Status

Released

Original Language

en

Budget

$165,000,000.00

Revenue

$220,597,098.00

Keywords
  • #empire
  • #france
  • #general
  • #biography
  • #napoleon bonaparte
  • #based on true story
  • #napoleonic wars
  • #18th century
  • #19th century
  • #violence

Reviews

B
@Brent_Marchantalmost 2 years ago

When it comes to making what’s touted as being a grand, sweeping epic, a filmmaker had better have his or her ducks in a row before beginning. Unfortunately, in the case of director Ridley Scott’s latest, that’s only half true. This account of power-hungry 18th Century French emperor/dictator Napoleon Bonaparte (Joaquin Phoenix) does a fine job of getting the picture’s technical aspects down pat,

H
@hamfacemanalmost 2 years ago

Hearing over and over on the internet about how Napoleon led his army to die in the cold Russian winter, I always assumed he just died there along with them. Turns out, he didn't, and what an unfortunate turn of events that was because it resulted in another hour of movie to watch! I liked the cannon stuff. I would have liked to see more cannons. Getting pretty tired of the whole mumbling Joaquin

B
@BornKnightalmost 2 years ago

Based on a screenplay by David Scarpa (that is writing the screenplay for Gladiator 2 too... oh oh) rather than a history book this is as epic as Ridley Scott makes his movies technically.... and that's it. After Ridley's Scott last movie (the magnificent and accurate "The Duel" of 2021) went under the radar on its year my expectation bar was set too high for this one. I can't dismiss all techn

M
@MovieGuysalmost 2 years ago

I had high hopes for Napoleon but the final product was, for me, disappointing. Lets start by saying this feels more like a cinematic biography than sweeping saga. The approach taken is to move from set piece to set piece through the passage of this famous figures life. Regrettably, the handling, like Napoleons tryst with Josephine, is quick and crude. Set piece gives way to yet more set

P
@pimpskittersalmost 2 years ago

Didn't really get much of a read on this movies take on Napoleon the person. He walks around, is terrible at fucking, and does not appear to be as short as history had made him out to be. As for historical accuracy, I doubt he really wore the hat so often, and I did not see him jam his hands into his armpits a single time. French Braveheart goes through all the beats these giant war epics go throu

C
@chandlerdanieralmost 2 years ago

I'm afraid Napoleon is a little boring. Josephine is the best part of the whole project. Amazing cannon stuff, though. Just blew their load a bit early... 10/10 if it was over after they shot the citizenry...but the horse. Damn. That was a rush worth filming. All told, the film left me wishing Napoleon had died before another hour and a half could get tacked on. Was somewhat like watching a tiny o

r96sk
@r96skalmost 2 years ago

Impressive battle sequences aside, <em>'Napoleon'</em> fails to deliver. Just my own opinion, of course, but this Ridley Scott movie just didn't click. I didn't feel attached to what I was watching, I wasn't hooked on the events that were occurring onscreen. Joaquin Phoenix gives a solid enough performance, I don't have any complaints with him - nor Vanessa Kirby. It's just the film in gener

P
@PaoloG13almost 2 years ago

Not worth the subject: the movie neglects completely how innovative Napoleon has been, just focusing on his relation with his wife. Written for English public that ignores history. A mistake. The movie is worth for battle reconstruction, even though in Austerlitz, now Vyskov in Check Republic, there are no latest. Joakim is great as always as some sights give the sense of power.

J
@janeyeealmost 2 years ago

"Napoleon" ambitiously sets out to condense the colossal life of the French emperor into a single film but ends up biting off more than it can chew. The movie, while visually stunning and energetically directed, suffers from an overly ambitious script and a plethora of historical inaccuracies that distract rather than enhance. Joaquin Phoenix's portrayal of Napoleon is inconsistent, struggling to

Geronimo1967
@Geronimo1967about 2 years ago

I think this is one of those films, like his "Kingdom of Heaven" (2005) epic that Sir Ridley Scott has made for aficionados of grand scale historical cinema, not for historians. Indeed it may well be that for this film, the less you actually know about the subject the more you might enjoy it. We start with the demise of Marie Antoinette and see Napoleon Bonaparte (Joaquin Phoenix) watching from th

M
@msbreviewsabout 2 years ago

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/napoleon-review-a-dispassionate-hollow-spectacle/ "Napoleon contributes to a troubling trend in cinema, transforming significant historical narratives into hollow spectacles driven by mere visual entertainment. Despite compelling performances and visually stunning battle set pieces, Ridley Scott fails to control the shockingly inconsistent to

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