Befitting its title, this movie feels like the son of The Exorcist and Rosemary – and in that sense it is proof that talent does skip a generation. It's as if screenwriter/director Ivan Kavanagh thought that revisiting Rosemary's baby was a good idea, even though someone else had already gone back to that particular well, and the result left a lot to be desired (I’m referring of course to Look Whaver mais...