This film is what happens when Avant Garde and French farce with a mission meets Magic Surrealism. Babysitter opens with a completely frenetic energy that only eases later in those moments of self-reflection, for both ourselves and Nadine (played by Monia Chokri, the director). In between the wacky opening and the thought-provoking third act, the film is mostly farcical, high-speed comedy. The ver mais...