
One man, two boys... one deadly game.
At a Catholic boys' school, domineering disciplinarian Father Goddard rules over his pupils with an iron hand. When one of his teenage charges confesses to murder, the dogmatic but deeply repressed Goddard finds his faith challenged and his life spiralling dangerously out of control.
- 6.4
- 1978
- Released
- 1h 35m

Richard Burton
Father Goddard
Dominic Guard
Benjamin 'Benjie' Stanfield
David Bradley
Arthur Dyson
Billy Connolly
Blakey
Andrew Keir
Headmaster
Willoughby Gray
Brigadier Walsh
Preston Lockwood
Father Hibbert
James Ottaway
Father Matthews
Brook Williams
Father Clarence
Robin Soans
Father Henryson
Trevor Martin
Mr. Gladstone
Sharon Duce
Louella
Brian Glover
the first policeman
Dan Meaden
the second policeman
Hilary Mason
Miss Froggatt
Hilda Fenemore
Mrs. Hoskins
Robert Addie
Cawley
Philip Leake
Gregory
Andrew Boxer
a boy
Richard Willis
a boy
Michael Parkhouse
a boy
Richard Kates
a boy
Clive Gehle
a boy
Charles Rigby
a boy
Michael Bell
a boy
Martin Stringer
a boy
Francis Fry
a boy
Julian Firth
a boy
Tim Short
a boy
Michael Munn
a priest
Kevin Hart
PetersonReleased
en
- #catholic school
- #catholic priest
- #boys' school
- #confession booth
Reviews

_**Burgeoning iniquities underneath the surface at a boys’ religious school**_ A strict schoolmaster at a Catholic boarding school in England named Goddard (Richard Burton) favors one student, Benjie Stanfield (Dominic Guard), but seems to loathe his awkward misfit ‘friend,’ Arthur Dyson (Dai Bradley). Meanwhile Benjie befriends a vagrant hippie (Billy Connolly), a relationship of which Goddard

I wonder what it must have been like for Dominic Guard to play this really pretty manipulative role opposite Richard Burton. Whatever nerves or awe he may have felt is very well disguised, though, as he turns in a super performance as the young student "Benjie". His teacher - "Fr. Goddard" (Burton) is a man of profound faith and little tolerance of, or interest in, his students. The former alights
I saw this in horrific conditions from the moderately intriguing and extremely entertaining 'Drive-In Movie Classics' pack of 50 films on 12 double-sided DVDs. Ten minutes were cut from the film and it was pan-and-scan--specifically spliced to get it to fit into a two-hour TV-spot with commercials. Still, it was an exceptional work, and I'm extremely curious for two reasons--why it was shelved for











