
John David Washington
Boy Willie
Danielle Deadwyler
Berniece Charles
Samuel L. Jackson
Doaker Charles
Ray Fisher
Lymon
Michael Potts
Wining Boy
Corey Hawkins
Avery
Gail Bean
Dolly
Jerrika Hinton
Grace
Stephan James
Boy Charles
Skylar Aleece Smith
Maretha
Erykah Badu
Lucille
Charity Jordan
Mama Berniece
Isaiah Gunn
Young Boy Willie
Matrell Smith
Crawley
Eilan Joseph
Papa Boy Walter
Pauletta Washington
Mama Ola
Olivia Washington
Young Mama Ola
Kylee D. Allen
Young Berniece
Deetta West
Mama Esther
Jay Peterson
James Sutter
David Atkinson
Robert Sutter
Tony Fox
Young Wining Boy
Melanie Jeffcoat
Miss Ophelia
Owen Harn
Joel Nolander
Charles Green
White Man
Saige Aristilde
Ancestor (uncredited)
Nigel Barto
Neighbor (uncredited)
Hasani Vibez
Young Factory Worker (uncredited)
Lovell Gates
Mr. V. (uncredited)
Gracie Jackline
Extra (uncredited)
Zuri Parker
Ancestor (uncredited)
Trenton Schillinger
Factory Worker (uncredited)
Rob Wood
Musician (uncredited)
Shaun Woodbury
Townsperson (uncredited)
Scott Andersen
Patriot (uncredited)
Rosie Grace
Mrs. Sutter




















Released
en
- #heirloom
- #based on play or musical
- #family
- #piano
- #1930s
- #former slave
Reviews

This is based on August Wilson's play and you'll never be in any doubt it came from the stage. The style of presentation and the construction of the story is entirely theatrical and that didn't really work so well for me on a big screen. It's all about a piano. "Boy Wille" (John David Washington) thinks that by selling it, they could improve their lot. Sister "Berniece" (Danielle Deadwyler) thinks

<em>'The Piano Lesson'</em>, despite peaks and troughs, is largely a good watch. I could feel my interest increase and decrease fairly consistently throughout though, so no doubting more could've been done to keep me more interested - but that I still was, in fairness. John David Washington and Samuel L. Jackson are two that perform well, but the person that I would rank as the standout is Dani
When a gifted playwright’s work is adapted for the big screen, the transition from one medium to another can be quite challenging to pull off successfully. And, if the adaptation gets it wrong, it fails to do justice to the source material, an outcome that often unfairly reinforces the blanket denigration often accorded to film as an “inferior” artform compared to others (like literature or the st












