Lon Chaney
Erik, The Phantom
Norman Kerry
Vicomte Raoul de Chagny
Mary Philbin
Christine Daaé
Arthur Edmund Carewe
Ledoux
Gibson Gowland
Simon Buquet
Snitz Edwards
Florine Papillon
John St. Polis
Comte Philip de Chagny
Virginia Pearson
Carlotta
Olive Ann Alcorn
La Sorelli (uncredited)
Betty Van Allen
Ballerina (uncredited)Betty Arthur
Ballet Dancer (uncredited)
Joseph Belmont
Stage Manager (uncredited)Alexander Bevani
Mephistopheles (uncredited)Earl Gordon Bostwick
Minor Role (uncredited)
Ethel Broadhurst
Frightened Ballerina (uncredited)Edward Cecil
Faust (uncredited)
Ruth Clifford
Ballerina (uncredited)
Chester Conklin
Orderly (uncredited)Roy Coulson
The Jester (uncredited)
Bruce Covington
M. Moncharmin (uncredited)
Ward Crane
Count Ruboff (uncredited)
George Davis
Guard at Christine's Door (uncredited)Madame Fiorenza
Mme. Giry - Keeper of the Box (uncredited)Alan George
Undetermined Secondary Role (uncredited)
Cesare Gravina
Manager (uncredited)
William Humphrey
M. Debienne (uncredited)
Carla Laemmle
Prima Ballerina (uncredited)Grace Marvin
Martha (uncredited)
John Miljan
Valentin (uncredited)Edith Murgatroyd
Mama Valerius (uncredited)
Templar Saxe
Bit Role in Faust (uncredited)
Bernard Siegel
Joseph Buquet (uncredited)William Tyroler
Director of Opera Orchestra (uncredited)
Vola Vale
Ballerina / Christines Maid (uncredited)
Ellinor Vanderveer
Operagoer (uncredited)Anton Vaverka
Prompter (uncredited)Josephine Haynes Webster
Ballerina (uncredited)
George B. Williams
M. Ricard (uncredited)Ed Wolff
Mob Leader at Finale (uncredited)
Released
en
$2,000,000.00
- #opera
- #paris, france
- #based on novel or book
- #diva
- #phantom
- #outcast
- #tragedy
- #unrequited love
- #black and white
- #gothic horror
- #captive
- #silent film
- #opera house
- #secret admirer
- #protégé
- #literary adaptation
- #ballet performance
- #phantom of the opera
Similar Movies
Reviews
When then famed Paris Opera finds new owners, they are full of enthusiasm for their star "Carlotta" (Mary Fabian) whom they know will wow the audiences. Both she and they, though, get a letter informing them that should she take the stage instead of her understudy "Christine" (Mary Philbin) then they'll all rue the day. Nobody pays a blind bit of notice and, well, the audience really do bring the