<em>'Emilia Pérez'</em> is a film that I feel like shouldn't work, yet I did actually have a positive two hours+ viewing it. The musical pieces do take some getting used to and I'm not entirely convinced by most of them, but again somehow it didn't overly bother me whilst watching. There's no doubt, for me, that the greatest part of this is Zoe Saldaña. I've seen her in many roles before and I ver mais...

How is it a white Irish-American can speak better Spanish than the Spanish speakers in this train wreck? And.... a musical with "penis" and "vagina" as the lyrics as it pushes gender transitions? What we have is an insult to Spanish speakers, an insult that pushes the Latinx concept that most Latino's reject, and then pushes the they/them that lost Kamala the race... so of course it has 13 Aver mais...

Is _Emilia Pérez_ the riskiest movie in years? A Spanish-language musical from a French director, about gendered violence and corruption, starring a transgender actress as a Mexican cartel boss who abandons his family, vanishes into hiding and transitions to become a woman. It's A LOT. And yes, the film has drawn some criticism. But it’s obvious that the soul of _Emilia Pérez_ beats with thever mais...

It generally takes tremendous courage to stand up and proclaim that the Emperor is indeed naked, especially in the face of a crowd of willfully blind onlookers who contend otherwise. Nevertheless, there are times when this truly needs to be said in light of an inexplicably misguided view to the contrary. And that’s certainly the case with the latest from often-overrated writer-director Jacques Audver mais...

"Rita" (Zoe Saldana) is a lawyer in Mexico who finds her professionalism attracting the attention of the powerful drug lord "Manitas". He spends his time heavily guarded and constantly on the move as he pretty much controls the synthetic drug trade in and out of his country. What does he want with "Rita" though? Well tempted by a great deal of money, she makes the perilous trip to meet him and finver mais...