
Part of every woman is a mother/actress/saint/sinner. And part of every man is a woman.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
- 7.6
- 1999
- Released
- 1h 41m

Cecilia Roth
Manuela
Marisa Paredes
Huma
Candela Peña
Nina
Antonia San Juan
Agrado
Penélope Cruz
Rosa
Rosa María Sardà
Rosa's Mother
Fernando Fernán Gómez
Rosa's Father
Fernando Guillén
Actor "Doctor"
Toni Cantó
Lola
Eloy Azorín
Esteban
Carlos Lozano
Mario
Manuel Morón
Doctor 1
José Luis Torrijo
Doctor 2
Juan José Otegui
Gynecologist
Carmen Balagué

Malena Gutiérrez
Malena
Yael Barnatán
Yael
Carme Fortuny
Carmen
Patxi Freytez
Pharmacist
Juan Marquez

Daniel Lanchas

Rosa Manaut

Carlos García Cambero
Heart Recipient
Paz Sufrategui
Heart Recipient's Wife
Lola García

Inma Subirà

Cayetana Guillén Cuervo
Mamen (uncredited)
Alexia Pardo
Agrado's Friend (uncredited)
Lluís Pasqual
(uncredited)
Fito Páez
Spectator (uncredited)

Released
es
$5,000,000.00
$67,958,231.00
- #drug abuse
- #barcelona, spain
- #transvestism
- #transplantation
- #madrid, spain
- #transsexuality
- #birthday
- #autograph
- #friends
- #lgbt
- #melodrama
Reviews

When a tragedy occurs that profoundly impacts on “Manuela” (Cecilia Roth) she heads back to her old home in Barcelona to reunite with her estranged transgender husband (Toni Cantó) and share her bad news. Her arrival in the city sees her reconnect with her transvestite pal “Agrado” (the outstanding Antonio San Juan) and that’s the start of her enjoyably characterful journey through the city where

When a tragedy occurs that profoundly impacts on “Manuela” (Cecilia Roth) she heads back to her old home in Barcelona to reunite with her estranged transgender husband (Toni Cantó) and share her bad news. Her arrival in the city sees her reconnect with her transvestite pal “Agrado” (the outstanding Antonio San Juan) and that’s the start of her enjoyably characterful journey through the city where
Of course, it's an Almodovar, so it's already a great film. But this one - the artistic shots, the characters, the story, the humanity - all top notch. I think this film might be his best.

This film got my attention right away because of the references to 2 of my fave old Hollywood films : All About Eve and Streetcar Named Desire. Melodramatic with a lil comedy. My fave scene when all 4 ladies were at the couch just chatting and laughing. I love all the characters (maybe not Nina). Agrado…for the win! Penelope…what a beautiful nun, so sad about her situation though. Huma, at first k











