Saxophonist and flutist Dickie Landry's story is about as far-flung as one can imagine, moving from white R&B in the American South to improvised and contemporary minimal / process music in New York during the 1970s, all the while hanging around with the primary figures in New York's post-minimal and concept art scene. Though less visible from the 1980s onward, Landry has recently returned to his ... show more